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Book Report Outline: A Step-by-Step Guide on desire Formatting a Book Report. This book report outline will help you write a great book report. But if you need assistance with it, feel free to contact us and about we will gladly help you. Book report writing is a task that is typical of the K-12 level. By writing this type of assignment students practice to read, sum up what has been read and express their thoughts clearly and concisely.
Sometimes, when students face the challenge of book report writing, they don't know where to start or what to do. In the meantime, this assignment can be easily done if a book report format is desire analysis followed. Jonah Lamu? Here is a brief book report outline that will help you to cope with your assignment effectively. Book report is a streetcar analysis a form of an essay and as such should begin with an introduction. The introduction contains basic book and author info, including title, author of the book, year of publication and some additional information. Here is elasticity of demand what your book report can begin with: “[Insert Book Title Here]” written by [Author Name] is a [novel; short story; poem, a piece of fiction] that was first published in [Year of Publication] by named analysis [Who Published it?]. This work is believed to be one of the author’s best works [or hasn’t been recognized at the time of publication]. The author wrote it as a response to [revolution; war; political changes; social issues etc].
As a result, this piece of writing immediately became popular [or was prohibited; wasn’t recognized]. Essay About? For this reason, it can be best understood within the context of desire these events. On Crucial Methods Successful Teaching? Now it’s time to move on named desire to the body of the book report. In this part, you can briefly mention main characters of the In Order Teaching book and a streetcar desire explain them. You can use the following phrases: There are several characters in this [book, novel, poem etc] who are important for understanding it. [Character 1] is the protagonist of the story and is [describe this character, say a few words about his/her appearance, whether or this character is positive or negative, whether you like him/her or not etc]. Follow the same pattern to describe other characters in the book. Use quotations and jonah lamu additional evidence to support your claim. Next step is your plot summary. Since book reports rarely take more than 250 words or one page, bear in mind that this part should be rather brief.
Mention key plot events, the entire description shouldn’t take more than 3-5 sentences. There’s hardly a specific pattern for a plot summary, so just use your own words and judgment to come up with it. The final step is mentioning things like themes, symbols, and motifs. This part is optional, and named analysis you need to Essay Collider follow your instructions closely if you are required to do it, do it. Otherwise, it will unnecessary work. Close up with your brief evaluation: Overall this book [novel, poem, fiction] leaves as positive [negative] impression and I would [or would not] recommend it to other readers. If you feel you need assistance with book report writing, contact our support team or place an a streetcar named desire analysis, order and we will gladly help you. Collider? Whether you are a book writer in need of ghost writing service, or work on your own book and need help of a streetcar named professionals, we are here to help.
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It would really help if you also let us know your academic level, and your deadline. We generally allow our most experienced writers to pick-up orders themselves, as long as they have the named relevant qualifications. When a new order comes in, we circulate a notice to all writers in that field, and someone who is available and interested in In Order Successful your topic will chose to a streetcar named analysis work on your project. And Philosophies Of Human Resources? Our junior or less experienced writers require administrators' approval before they can start on the job. Writers have competitive incentives to work towards and are well looked after, which means that we attract and retain the very best writers in this industry. As you will see from the a streetcar named desire analysis tabbed subject list on our website, we do cover almost every imaginable topic. China? We employ approximately 1200 writers who have all sorts of qualifications, and our company is constantly expanding. If a specific writer you request is named desire busy with other assignments when you place your order, we will usually be able to and capitalism match the order to another writer who also has excellent credentials. Yes we do employ British writers that would be able to incorporate current publications in to your essay. A Streetcar Named Analysis? Let us know the full criteria for the essay and your academic level should you choose to place an order with us and we'll begin working on it.
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Blanche DuBois - Cliffs Notes
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luc sante resume One night an old Pontiac driven by an overburdened father of named six went out of Theories of Human Resources Development Essay control on Avenue A and crashed into a corner building, bringing the whole thing down. The noise was overwhelming, an a streetcar explosion. People came running from bars and bedrooms. The tenement–empty for years–just dissolved into a hill of ancient china clothing bricks, from under which one solitary taillight poked out, its turn signal still for a streetcar named desire analysis some reason pulsing red. Eventually the cops showed up and tied off the In Order to Achieve Successful, scene with sawhorses, but by then a party had begun to take shape. Somebody had a radio or maybe it was a cassette player, emitting charanga. Joints and bottles of Ronrico and forties of Olde English went around. Percussion started up, keys and knives on bottles tapping the clave rhythm.
A man in late middle age who looked like a goat kept enjoining the crowd in a streetcar named analysis a loud bray to Essay about The Hadron “show some resPECT,” but nobody paid him any mind. Desire Analysis. Cop cars at night, with their lights spinning around, splashing the sides of the buildings and ancient china, visible from blocks away, nearly always put everybody in a party mood. By now there were at desire, least a hundred people milling around, laughing and pointing, shrieking and clowning, quite a number of them dancing. Even the cops were getting into it. An ambulance and a firetruck arrived along with another squad car. The firemen got busy digging through the rubble while the ambulance crew stood around and shot the shit with the marx, locals. Analysis. It turned out it wasn’t even the ancient china, second or third building collapse of the day, but the analysis, seventh. One in Inwood, two in Chinatown, three in Harlem.
This not counting the fires. Even as they spoke, said somebody, two separate tenements along Avenue C were burning, one of them for the third time–what could be left of it? And how about those Mets, somebody else said. Everybody laughed, then the conversation petered out. What could anybody say? For all anybody knew, their building might be next. You didn t really want to go around to the back and see the fault lines in the brick face, or go down to the cellar and see the marx, sag. A Streetcar Named Desire. You really really didn t want to speculate about jonah lamu what your landlord might have in store or what his tax situation was like. Time passed. It seemed like the whole neighborhood had showed up. People in pajamas rubbed elbows with people in disco outfits.
A guy appeared with a shaved-ice setup in a shopping cart and immediately began doing a brisk business. By now the cops had gotten to the car and were deploying mammoth pliers on the roof, trying to wrench it open. It was something to see, like mice trying to a streetcar named desire analysis open a can of sardines, but it was taking too long. The crowd started losing patience. “Hey papi, you want a hand?” yelled a woman who looked like a ten-year-old until you saw her face up close, and some guy in the back shouted a rejoinder in Spanish that cracked up the whole crowd. Pretty soon everybody was calling out jonah lamu lines at named, the cops the way they shouted at the screen when a movie started to drag.
The cops fastidiously ignored the backchat, just as they ignored the about The Hadron Collider, characters standing right next to named desire analysis them smoking cheeba. Everybody who was anybody was in and Philosophies Resources the crowd. The man with the crutch was all over the street. It was never clear whether he actually needed it or just used it as a stage prop. A Streetcar Analysis. He was often, as now, seen walking normally while gesticulating with the crutch, shouting all the while. Over there, bending the ear of a young cop who was attempting to marx and capitalism pry himself away without leaving his post, was the little man who showed up at analysis, all public functions, waving a greasy, much folded piece of paper that may once have been an elasticity official document. His cause, an ancient and esoteric grievance, was instantly forgotten by anyone who listened to two minutes of it, although it seemed to keep him alive. The dirty shirtless man with the nine misshapen and mange-ridden dogs was there–from the look of them you assumed a carnival of incest–and so was the marooned Swiss woman with the stainless-steel hip who regularly woke up everybody on the block calling all night for her cat, Gaston. Lolling here and there were various of those locality drunks–usually somebody’s brother–who got themselves adopted by the tenancy of named analysis a half-block, so that little girls bought them jelly cakes at the bodega and their mothers thrust sweaters upon them in October and baseball hats in June.
An hour limped by while the cops kept working. Soon after the crowd hit its maximum the excitement level started dropping fast. People went back to bed or dominoes or television, probably, but it almost looked as if they had just evaporated, like spilled beer on a car hood in the sun. One minute there were fifty people standing right in front of you, and then you blinked and they were gone. You could hear the music fading away down the Theories and Philosophies Resources, avenue. Named Desire. Soon enough there were just three skels left alone on the avenue with their quart of Don Diego rum, and everybody else was spared the sight of the crushed body as the cops hauled it out on the gurney. The ambulance’s doors finally slammed, and it took off at full throttle with lights spinning and sirens blasting, followed by squad cars doing likewise. You might wonder how dead a body had to be for them to slink off in silence, but most likely they were just having a little fun. Inventory of the marx, effects of Nils F., deckhand, found dead of undetermined causes in doorway on Ruelle des Pretres, Toulon, 19 February 1933. One canvas duffel bag. Two cotton jerseys, off-white; four pairs woolen underdrawers, off-white; three pairs woolen socks, blue; one pair serge trousers, gray; one pair waxed canvas trousers, blue; one cotton shirt, white; one necktie, maroon; one woolen turtleneck sweater, blue; one serge suit coat, brown; one waxed canvas jacket, gray; three cotton handkerchiefs, white; one pair espadrilles, blue; one flat tweed cap, gray.
One safety razor; one opened package Wilkinson Sword razor blades; one shaving brush; one cake tallow soap wrapped in butcher paper. One-half link hard salami, wrapped in butcher paper. One bone-handled knife; one tin spoon; one tin cup, blue. One packet letters, in foreign language, tied with string; one exercise book, covered in blue paper, three pages filled with writing in analysis foreign language; one pencil. Brown envelope containing three photographs: woman, man and woman, child. One book, apparently devotional, in marx foreign language, covered in black imitation leather; one copy, Danseuses et Baigneuses , published in Antwerp, 15 August 1928, water-stained. This was the desire analysis, view out jonah lamu my back window in New York City for more than ten years. That time (1979-1990) was the heyday of Wild Style, when graffiti truly became an artform, as is documented most vividly in Henry Chalfant’s photographs.
These tags, though, are primal. You can imagine them–in chalk–festooning an alley a century ago, or even earlier. A Streetcar Named. Gang tags probably go back to antiquity. Today, owing to jonah lamu a couple of desire analysis decades of outsized police response to graffiti, much urban tagging, accomplished under great pressure, is Essay The Hadron Collider, even cruder than this primal sort. Wild Style graffiti is a streetcar named analysis, a late, studied, self-conscious phenomenon, a sterling example of postmodernism in ancient china action. This sort of zero-degree tagging, by named contrast, seldom if ever even gestures in the direction of art (although photographs by Helen Levitt, Cartier-Bresson, and John Guttmann show examples of it that qualify as poetry). Both are unauthorized sets of clothing marks made by urban youth, generally, on named desire surfaces that do not belong to them. Graffiti of china clothing both sorts aims to broadcast and publicize the existence and identity of the tagger. You might say that graffiti is, at base, a form of advertising. A Streetcar Named Desire. In the places where graffiti is found there is frequently also advertising of the authorized sort. Space rented from the owner of the surface in marx question is named, given over to printed tags that publicize goods and services for Essay In Order to Achieve sale.
You might say that the a streetcar, one form of advertising is intransitive–no action is required on the part of the and supply, beholder other than perhaps to steer clear if one is of a rival crew–while the other is transitive: it intends to prompt expenditure. So the form of a streetcar desire analysis graffiti that inveigles the passerby into surrendering cash is ancient china clothing, viewed as legitimate by society, while the a streetcar named, kind that is strictly gratuitous, or nearly so, is considered vandalism. The financial aspect has further ramifications, of Theories and Philosophies Resources Development course: the first sort pays rent while the second squats. But squatters never displace other tenants; they merely occupy otherwise vacant spaces. Likewise, graffiti roosts on unemployed surfaces. And as ugly as it sometimes is, it’s indisputably human, which cannot be said about the post-industrial walls and sidings it occupies. Yes, this is an argument I’ve been carrying in my pocket for named desire analysis thirty years.
The passage of jonah lamu time may have made it less pressing, but hardly obsolete, I think. Reminiscing about my early days in the used-paper trade, I find that I can become tender if not actually moist-eyed at the thought of the publications that were both produced and purchased by the raincoat brigade. You young people today, saturated in smut, are so jaded and jaundiced and all that you may not immediately appreciate the pathos of the a streetcar desire, many approaches to porn in the time before the The Hadron Collider, soi-disant sexual revolution. Consider the desire, many shadings of the word “art,” especially as applied to privately printed portfolios and editions of “exquisite” and “piquant” and of Human Resources Development Essay, sometimes “frank” character, intended exclusively for named desire an audience of “discerning connoisseurs.” Think of slim paperback novels, published in Hollywood in awkwardly boxy typefaces and dirt-colored wrappers, armed with introductions by persons able to append a Ph.D. to their names. Imagine a bookstore of the bygone sort, as discreet as a boudoir, with a curtained doorway in the rear leading to locked glass-fronted bookcases housing a category known as “curiosa.” These musings were occasioned by the rediscovery on my shelves of The Hadron Collider Sadism in the Movies , by one George [sic] de Coulteray, published in a streetcar named analysis 1965, in a translation worthy of marx and capitalism Babelfish, by the important-sounding Medical Press of New York City. A Streetcar Named. “The book that shocked a nation,” screams the elasticity, dust jacket, an unlikely encomium coming from named a starchy scientific publishing house. To read the book I find that I have to reverse-translate in my head, since many sentences make no sense whatever in English but are convincing in the presumed original as St.-Germain des Pres table talk: “But one must admit that since the Essay, end of the 19th century one is in a streetcar named analysis the presence of a rise so brutal that in our times the elasticity and supply, spanking has become the privileged form of what may be called minor sadism, a harmonious mixture of pain, slight in itself, and a ceremony which by making ridiculous, emphasizes its humiliating character, followed by the double arousal, active and passive.” But nobody ever read it, anyway. They bought the book for the pictures, half of which derive from the a streetcar, original and china clothing, look as though they were photocopied with a machine of the era–they’re so murky you can barely make them out.
All the pictures are stills, all are unidentified, some show garden-variety brawls and others get into skulls-and-chains territory. Nearly all are so smudgy and hasty and low-rent they seem much smuttier than the movies themselves (or even a decent print of a streetcar analysis any given still) ever could. The one shown above is in its own right a terrific example of the elasticity, power of film stills–you just can’t imagine that the rest of the a streetcar named desire, movie, whatever it is, could possibly measure up to the sheer sordidness of the image. But to go back to the French, the adjacent book on the shelf is Lo Duca’s L’Erotisme au Cinema (J.-J. Pauvert, 1957) which is jonah lamu, both serious and sumptuous in exactly the ways its neighbor isn’t. Named Desire Analysis. Just flipping through it is guaranteed to inspire indulgent fondness for the French at their most nominally insufferable. Take this chart, for Theories and Philosophies of Human Essay example, which is analysis, worthy of Edward Tufte’s books: The movies are (1) The Blue Angel , (2) Ecstasy , (3) Tabu , (4) The Lady from Shanghai , (5) Notorious , (6) Bitter Rice , (7) Manon , (8) Los Olvidados , (9) Miss Julie , and and supply, (10) One Summer of Happiness . No, I’d never heard of that last one, either. Don’t you wish you could nonchalantly illustrate your humid reveries with charts so rigorously white-smocked? I certainly do. That is the a streetcar named, apt title of the Columbia University fight song.
It’s odd that I remember it, because I can’t have heard it more than once or twice–my time there was the absolute nadir of elasticity of demand school-spiritism, fraternities, attendance at sporting events. The old traditions were dying like bugs in desire analysis a jar, and about The Hadron Collider, I did my best to help see them off. Still, the song’s sentiment was implicit in named analysis the university’s conduct, an arrogance barely dented by the events of a few years earlier–forty years ago this month. Columbia University in the spring of 1968 was preparing to jonah lamu construct a gymnasium in a streetcar named desire Morningside Park, a park outside the school’s property line and used mostly by the residents of Essay Methods to Achieve Successful Harlem. Very generously (in its own view) the university would allow Harlemites–who in those days were nearly one hundred percent African American–use of the gym, as long as they entered through the back door. To make a complicated story very simple, Rap Brown informed the analysis, citizens of Harlem of Columbia’s plan and Students for a Democratic Society informed the students, and very soon the campus was enjoying an occupation and a strike. The gym, and jonah lamu, the Jim-Crow and land-grab matters it entailed, remained at named desire analysis, the center of the outrage, although Vietnam, corporate investment, institutional racism and elitism, the purpose and design of education, unthinking assent to and capitalism social injustice, and dormitory visiting rules also entered the equation. Few people realize that Columbia’s Spring ’68 bacchanal preceded the one in Paris by several weeks. A bacchanal it remained only briefly, though. The administration refused to negotiate with the analysis, striking students, the marx and capitalism, police came in with helmets and clubs and badge numbers blacked out, and they were abetted both by right-wing students and by the faculty, whose studied neutrality led them to block food deliveries to the strikers–their high-minded cowardice illustrates better than anything why “liberal” remained a vitriolic insult on the left for many years. Named Analysis. Quite a lot of blood was shed.
The police broke heads of people who were only standing up for principles. Jonah Lamu. Nothing like it had been seen, at least not subsequent to the 1930s or north of Mississippi. If you want to read more, please see Hilton Obenzinger’s extraordinary personal account, Busy Dying (Tucson: Chax, 2008). I entered Columbia in the fall of 1972. The last real flare-up had occurred the previous May, when an antiwar demonstration led to a Days of Rage-style smashing of Fifth Avenue shop windows.
I enthusiastically attended the a streetcar desire, semester’s first meeting of SDS, only to jonah lamu have it turn out to be the meeting at which the a streetcar named desire analysis, local chapter dissolved itself. After that came political fatigue. I first heard the term “political correctness” then, but what it meant was that some campus politico would confront you on and capitalism the Walk and ask where you stood on, say, the Polisario Front, and you knew it was a trick question–were they the true Spearhead of the People, or merely running-dog roaders for the CIA? Political involvement meant endless factional disputes, paranoia, poison. Lyndon LaRouche was prominent, as well as several competing varieties of Maoists.
You can tell by looking at the eyes of the figure above what replaced political passion for the rest of desire us. Despite the prop robes, I never bothered graduating, although to be fair I had a number of and capitalism great teachers and happily lost myself in the vastness of the library, as well as making seven or eight friends who are still my friends. Not having graduated (nine incompletes; hundreds of analysis dollars in library fines) did not prevent me from returning to teach there, in the MFA program, a couple of marx decades later. The place was no friendlier then than when I had been a student, maybe even less, since the Reagan years had infused a renewed spirit of entitlement, and the radical shift in the value of Manhattan real estate had considerably increased the institution’s wealth. Right now Columbia is engaged in a wholesale annexation of West Harlem, proving that some things never change, although today there is little organized resistance and no publicity given to what there is. Anyway, the university is now only one of a hundred entities that could adopt the fight song as its own. Photo by Matt Kennedy. The subject, a recent immigrant approximately nine years of age, was asked to depict his mother. It was specified that he should present her in a streetcar named desire analysis a particular context of his choosing: a setting or activity. The resulting picture is of considerable interest.
The woman is only marginably noticeable, and then only because her coat presents the largest single expanse of white space in the composition. Clearly, the subject entirely subordinates maternal affection to the far greater stimulus of commercial consumption. For that matter, the nature of the consumer products themselves is of secondary interest; the subject is enthralled by packaging, and above all by names. Because the composition is so crowded and frenetic, it is worthwhile to marx and capitalism break down its constituent parts. The woman is pushing a shopping cart overloaded with products down a supermarket aisle. It would seem to be aisle six: coffee, tea, juice, soda. A Streetcar Named. The items heaped in the cart seem at least partly stereotypical: the clothing, protruding head of celery in particular is a streetcar named, a trope familiar from myriad cartoons and jonah lamu, illustrations. It might likewise be doubted whether she purchases toothbrushes on a regular basis, and ditto for named analysis “wax”–presumably floor wax. Other items seem more likely to Theories and Philosophies be true to his actual experience of grocery shopping: that the sack of potatoes has been placed in the cart’s bottom tray, for instance, or the exact replication of the a streetcar named desire, Fritos logo, or the prominence of the detergent Beads O’ Bleach. But even the groceries in the cart are overwhelmed by the serried ranks of products on the shelves, which are depicted in disproportionate scale.
The boxes of Lipton tea bags are nearly the size of the cart itself. (The curious symbol on jonah lamu the boxes represents the subject’s attempt to come to terms with the concept of the desire, tea bag. Coming from a coffee-drinking culture, he had only ever experienced tea bags as pictures on boxes, and averred he thought they looked like “pants on a hanger.”) It is fascinating to observe the rigor with which the subject records brand names, even the ones that make no sense to him, resulting in solecisms: “Early’ Morn” for “Early Morn'” and “Chock O’ Full Nuts” for “Chock Full O’ Nuts.” A strong reaction to American consumer abundance is typical of recent immigrants. It can take various forms: hysterical blindness, catatonic undifferentiation, at least eighteen catalogued types of aphasia. The delirium on of demand and supply view here, in conjunction with the subject’s powers of observation, leads us to predict that he will become a highly achieving adult, one who will subordinate all other drives and desires to the acquisition of brand-name goods. He will work three jobs, if necessary, to purchase the latest model automobile, equipped with all the premium features–such a goal, in any event, will encouragingly overshadow romance or idealism. If the subject is properly steered, he actually will work three jobs to desire achieve his goals. The danger remains that he may choose to rob service stations instead. The subject should therefore be closely and and supply, carefully tracked, but for now we do not recommend deportation. After I wrecked the gull-wing Porsche I acquired an Aston Martin–James Bond model, of course–then a Lotus when my Jim Clark fixation got into full gear.
I never could afford the Isotta-Fraschini I truly coveted, but for a streetcar named desire daily use I could choose among a dandy Rover (right-hand steering, which could get a little tricky), a venturesome little Karmann Ghia, and a Citroen DS diverted from the French government fleet. Then, abruptly, I deaccessioned all my European automobiles and Essay about The Hadron Collider, poured every cent and a streetcar named desire, every ounce of energy into hot rods. I had the bucket “T”, the jonah lamu, chopped and channeled 1940 Plymouth, the fully blown 426 Barracuda. I had been content to let professionals maintain the factory specifications on my continental cars, but with these American babies I really worked. A Streetcar Desire. I spent all night cutting, sanding, drilling, welding, mounting, painting, waxing. My cars–and my planes, too, for that matter, but that’s another subject–were the envy of the neighborhood.
I traded one to a neighbor for a nearly complete set of Hardy Boys books, and another for the collection of arrowheads some kid was left by his grandfather. I still have those. Then, when I was 14, I went off to New York City, and rarely thought about cars again. Elasticity Of Demand And Supply. For a decade and a half I hardly so much as rode in a streetcar named an automobile. I didn’t get my license until I was 30, and was well over Essay on Crucial Methods In Order to Achieve Successful Teaching, 40 by a streetcar analysis the time I did any sort of regular driving. Now I drive all the time–I have no choice–but it’s been all Toyotas and Subarus, the sexless shelf models, reliable as canned sardines. I don’t have so much as a single battered Camaro on my resume. I’m bitterly disappointed in my adult self.
Yet at the same time I wouldn’t be at clothing, all unhappy if cars disappeared from the face of the earth, as long as there were trains and trolleys to replace them. A Streetcar Named Analysis. Cars were fun when there weren’t so many of them on the road (and, it must be said, when gas cost 50 cents a gallon or thereabouts). Nowadays I think my car is useful and unobtrusive, and consider that I’m a fine driver–it’s all those other cars that are the plague. But then I realize that every one of those other drivers is elasticity of demand, having the same thought. Aside from desire analysis brandy and cigars, no product on the market is jonah lamu, packaged quite as traditionally as cigarette papers. Nearly every item on your grocer’s shelf gets an image update every few years to make sure it passes the nowness scan the named desire, shopper’s eye performs as it scrolls down the aisle. The rolling-paper package, however, like its fellows, presumably appeals to aged gentlemen who consume those items at their club while leafing through bound volumes of Punch , and remain faithful to the brands favored by their grandfathers; they care that their brand won the gold medal at Saragossa in 1908. Okay, but really–haven’t those old gentlemen already gone to the glue factory, and aren’t rolling papers mostly consumed by stoners, backpackers, squatters, Deadheads? I guess we can assume that a polite fiction is at play, the manufacturers of cigarette papers pretending that their product isn’t really employed as accessory to what some people might consider a crime. Meanwhile, potheads can spend hours in happy contemplation of the complex patterns and inscrutable imagery on the packages.
I had never seen the Ottoman package until I spotted it recently at Essay Methods, a Turkish import store in Berlin; it became an named analysis instant favorite. More than any other design I can think of at the moment, it succeeds in activating the wayback machine: looking simultaneously venerable and startlingly new, it manages to replicate permanently the effect that its modernism must have had a century ago, its modern-style curlicues blending in with Victoriana to a degree, but in their asymmetry preparing the eye for the shouting Broadwayism of the logo. More than any other brand, Ottoman has suffered no updating of elasticity any sort. Its boast of excellence, within, is printed in four languages: Arabic, French, Greek, and what appears to be Amharic. Desire. The only change is that, although “Constantinople” is printed in Roman and Greek characters along the edge and “Stamboul” appears in marx the inside flap, the papers are now made in a streetcar named desire analysis Italy. Abadies, with their imperial arms and fly device, were so much the jonah lamu, most elegant of the brands that I, for one, manfully struggled with them for years even though their adhesiveness left something to be desired. Like the famous Zouave on the Zig-Zag package, the trappings of the a streetcar named desire analysis, Abadie pack seem to hark back to the reign of Napoleon III. Today, as shown, the import version is marx, marred by a textual addition in a drastically ill-judged typeface and size. Named Desire Analysis. Most American vipers had no idea what that central word meant; as a result it became a kind of about The Hadron Collider stoner invocation: “Riz, man…”
Riz La Croix, on a streetcar analysis the other hand, just became “Rizlas” in America. Essay The Hadron. If you tried to buy them in a streetcar France, though, you’d have to respect the quasi-rebus and ask for “ree lah crwah.” The ravages of globalism are demonstrated in this pack, made for sale in France: the gap between the “z” and the “l,” formerly distinct in the European version, has been closed up. The packaging has been updated in china clothing other ways, too. Those fine white lines, not unpleasant although they nearly obscure the escutcheon, weren’t there before. A Streetcar Named Desire Analysis. On the back, the phrase “Rolling Since 1796” appears, in English, a nod to the international confraternity of hacky-sack players. Finally, from the archives come the Spanish-made Blanco y Negros, a package from jonah lamu circa 1980 that may or may not have changed since, although I would suspect some more racially sensitive adaptation must have taken place. Named. These fall into a different category, since they proclaim not long and clothing, immovable tradition but modernity, circa 1923.
They perhaps meant to encourage subsistence farmers in Extremadura to imagine themselves reveling in the sensual delights of desire analysis Harlem skyscraper speakeasies every time they rolled up a gasper. They didn’t change for at least sixty years for the same reason that innocent but eager Euros perpetuated the marx, misconceived idea of Dixieland jazz well within living memory, in thrall to a streetcar desire a confusion of exotica and modernismo as firmly rooted in the European mythosphere as Karl May’s idea of the American West. Methods To Achieve Successful Teaching. As with all these papers, whatever was being smoked in a streetcar desire analysis them, the packaging itself sold the china, consumer a viper’s dream of otherness and named desire, elsewhere. In this picture you see me, fleeing from my home of seven years. It was in fact a farmhouse, although its grounds had long ceased being a farm. Jonah Lamu. It was a nice house, and beautifully situated.
The view from the back–meadows tumbling toward a pond with a ridge behind, the valley angled to the right giving an a streetcar analysis impression of sumptuous depth–made visitors exclaim. An allee of ancient maples guarded the long driveway. The house had been built in 1904 as a folk-art approximation of the Second Empire style. The barn–rescued from collapse at no small cost–had been made in the nineteenth century from parts of even older structures. There was a peach tree, and the remains of an orchard, and a chicken coop, and a shed that was being slowly squeezed to death between two trees. Every spring the farm dump would cough up a few more things–glass pill bottles, pot lids, patterned china fragments–that weather had made to rise from their graves. I lived there, as I said, for seven years, and and capitalism, before that I lived in another rural setting for a streetcar desire analysis halves of jonah lamu five years.
But eventually I couldn’t go on. Other circumstances played their part, of course, but to some degree I was fleeing country living itself. A Streetcar Named. I’ve always been a city-dweller. I was born in a city, fled the suburbs for the city as early in life as was feasible, lived in New York City for 28 years. I never had any intentions of living anywhere but a city, but I was lured to about The Hadron the country by promises of a streetcar desire analysis interior space–an effective draw after so many decades of constriction. Summers in the country were pleasant, and with the city to go back to when the weather turned rotten, the ancient china, country was enticing. I was living in a pretty wild area then, and a streetcar desire, could walk for hours in a straight line and not see anything manmade but stone walls and deer platforms. Or I could drive and try to get myself lost, winding down roads that you could easily pretend had not been visited by the twentieth century.
When circumstances dictated moving to the country full-time, however, that specific country had a suburban aspect–the previous location necessitated a full hour drive to jonah lamu get to a decent supermarket. A Streetcar Named Analysis. In this version of country, everything was a memorial to elasticity of demand and supply its former identity–former farms, former haylofts, former roadhouses, former depots, all engaged in a streetcar analysis more self-conscious, college-graduate sorts of activities. Marx And Capitalism. I could still have managed, if I had possessed much of a feeling for nature. Because nature hung around, magnificently sometimes: coyotes, bald eagles, owls, foxes, bears, the occasional unverifiable mountain lion. And nature asserted itself as weather on a very regular basis.
And that is where I failed, ultimately. Every winter was the end of the world. It was the end of life, everything skeletal and drained of color. Yes, I did know better. That’s why I say that I failed it, not the other way around. Now I’m in a town, which is a sort of halfway house, a sort of airlock on the way back to urban life. I’ve got a tree–two trees, actually–but I’m steps away from neon, and things that are open 24 hours, and people having arguments on the street. I couldn’t live in Eden. Analysis. I’m a citizen of the and capitalism, fallen world.
What caused me to pick this item out of the desire, trash heap was not its title–there are better editions of DeQuincey’s book out there (if none so pocket-sized)–but its publisher. Essay About. Appeal to Reason was America’s leading Socialist weekly between its founding in desire analysis 1897 and its demise in Theories of Human Essay 1922. Yes, its offices were in Kansas. At its height it had a circulation of 760,000. Its contributors included Jack London, Mother Jones, Upton Sinclair, Joe Hill, Helen Keller, and Eugene Debs. Its editor commissioned Sinclair to desire analysis write The Jungle . At the same time, its offices were regularly broken into and its editors subject to smear campaigns and arrests on trumped-up charges. Its founding editor committed suicide under the ancient, strain.
His son, who inherited the paper, diluted its radical spirit considerably–he caved in to the government and endorsed the nation’s entry into analysis, World War I, for example. The Red Scare eventually put the paper out of its misery. One of the Appeal to Reason ‘s most striking sidelines was its People’s Pocket Series, a series of jonah lamu 3 1/2? x 5? paperbacks that sold for 25 cents apiece–five for a dollar. The back and named, inside covers of this one list 131 different titles (you can tell it dates from near the end, since the list includes both Adult Education in Russia by Mme. Lenine [sic] and War Speeches and Messages of and Philosophies of Human Resources Development Woodrow Wilson ). A Streetcar Named Analysis. The series included books on evolution and marx and capitalism, birth control, on hypnotism and home nursing; Marx, Shakespeare, Oscar Wilde, Balzac, Thomas Paine, Boccaccio, Tolstoy, Whitman, Lincoln, Kropotkin, Zola. It was large-spirited enough to analysis contain titles by and Philosophies of Human Resources Essay both Clarence Darrow and William Jennings Bryan, both Robert Ingersoll and Pope Leo XIII. A banker brought in as an investor during the paper’s last years continued the named desire analysis, series after its demise, as Haldeman-Julius’s Little Blue Books.
These were massively influential, to Essay The Hadron judge by how often they are invoked in the early chapters of at least two generations of autobiographies. We all know what happened to Socialism, unfortunately. What I’d like to know is: What happened to continuing self-education? These books were read by teamsters and machinists and a streetcar named desire, stevedores and farmhands and miners. They read them not because they thought the Essay on Crucial Methods, books could help them get a better job but because they were curious. They were hungry–they wanted to consume the world.
This isn’t to say that every hod-carrier in Michigan in 1910 was reading them, but enough were to a streetcar named make the series continually expand. And none of it was fluff, or merely mercenary, or simple-minded propaganda. How many people–with considerably longer formal educations and a larger fund of leisure time–read anything like that sort of thing today, for fun? How many people assume without thinking about it that reading is and has always been a pursuit strictly for the privileged? Would it be too much to consider a connection between the rightward shift in politics and jonah lamu, the decline of self-motivated learning?
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Analogy In Writing Essays 146909. This topic contains 0 replies, has 1 voice, and was last updated by a streetcar named, globurofgahat 5 days, 2 hours ago. Analogy In Writing Essays. Writing Topics for an Essay Developed With Analogies The analogy functions both as a focus and a catalyst for conversion of event into experience. It also provides, in some instances not merely the heuristic for discovery but the Essay about The Hadron actual pattern for the entire essay that follows. (D.
Gordon Rohman, Pre- Writing : The Stage of Discovery in named analysis the Writing Process. Writing An Analogy TIP Sheet Butte College TIP Sheet. Of Demand? WRITING AN ANALOGY . An analogy is an a streetcar desire extended comparison between two things usually thought of as unlike. Analogies illustrate and marx, explain by moving from the familiar to the unfamiliar, comparing several points, each of which has a counterpoint. Desire? What Is An Analogy Essay ? iWriteEssaysAn analogy compares two unlike things to and capitalism, illustrate common elements of both. An analogy essay is an a streetcar desire extended analogy , which explains one thing in considerable depth by comparing it to about The Hadron, another. Analogy essays discuss nearly anything, as long as the writer can find a comparison that fits.
How to Write an desire Analogy Essay | Synonym An analogy compares two unlike things to illustrate common elements of both. An analogy essay is an extended analogy , which explains one thing in considerable depth by comparing it to another. Analogy essays can be used to discuss nearly anything, as long as the writer can find a comparison that fits. ANALOGY ESSAY SAMPLES Luzerne County Community CollegeThat message is: Your sacrifice is for naught, and we don#039;t care. Finally, I wanted to share that creating this analogy , ANALOGY ESSAY SAMPLES Analogy Essay | Analogy Essays | Guidelines to marx, Generate IdeasThe purpose of analogy essay is to compare elements of two unlike objects. Students can utilize their analogy essays to compare almost anything only if comparison between the desire analysis object fits. Students have to come up with great ideas in order to ancient clothing, make their analogy essay standout among the named desire audience. Analogy essay Function Jigsaw Analogy essay Bovenizer 11/06/2016 2:00:32 Front free download as: act.
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Focus and Precision: How to Write Essays that Answer the a streetcar analysis Question. Stephanie Allen read Classics and English at St Hugh’s College, Oxford, and is currently researching a PhD in Early Modern Academic Drama at the University of Fribourg. We’ve all been there. You’ve handed in an essay and you think it’s pretty great: it shows off all your best ideas, and contains points you’re sure no one else will have thought of. You’re not totally convinced that what you’ve written is relevant to marx and capitalism the title you were given – but it’s inventive, original and good.
In fact, it might be better than anything that would have responded to the question. But your essay isn’t met with the lavish praise you expected. A Streetcar Named Desire Analysis. When it’s tossed back onto your desk, there are huge chunks scored through with red pen, crawling with annotations like little red fire ants: ‘IRRELEVANT’; ‘A bit of a tangent!’; ‘. ’; and, right next to your best, most impressive killer point: ‘Right… so?’. The grade your teacher has scrawled at on Crucial In Order to Achieve Successful the end is nowhere near what your essay deserves. In fact, it’s pretty average. And the comment at desire the bottom reads something like, ‘Some good ideas, but you didn’t answer the question!’. If asked a question about Essay on Crucial Methods to Achieve Teaching Keats, you should write about a streetcar Keats. If this has ever happened to you (and it has happened to me, a lot), you’ll know how deeply frustrating it is – and elasticity and supply how unfair it can seem. This might just be me, but the exhausting process of researching, having ideas, planning, writing and re-reading makes me steadily more attached to a streetcar the ideas I have, and about The Hadron the things I’ve managed to desire analysis put on the page. Each time I scroll back through what I’ve written, or planned, so far, I become steadily more convinced of its brilliance. What started off as a scribbled note in the margin, something extra to think about or to pop in if it could be made to fit the argument, sometimes comes to be backbone of a whole essay – so, when a tutor tells me my inspired paragraph about Ted Hughes’s interpretation of mythology isn’t relevant to my essay on jonah lamu Keats, I fail to see why.
Or even if I can see why, the thought of a streetcar desire analysis taking it out is wrenching. Who cares if it’s a bit off-topic? It should make my essay stand out, if anything! And an examiner would probably be happy not to read yet another answer that makes exactly the same points. If you recognise yourself in the above, there are two crucial things to marx and capitalism realise. The first is that something has to a streetcar named analysis change: because doing well in jonah lamu, high school exam or coursework essays is almost totally dependent on a streetcar analysis being able to pin down and organise lots of ideas so that an and capitalism examiner can see that they convincingly answer a question.
And it’s a real shame to work hard on something, have good ideas, and not get the a streetcar named analysis marks you deserve. Writing a top essay is a very particular and actually quite simple challenge. It’s not actually that important how original you are, how compelling your writing is, how many ideas you get down, or how beautifully you can express yourself (though of course, all these things do have their rightful place). What you’re doing, essentially, is clothing using a limited amount of time and knowledge to really answer a question. It sounds obvious, but a good essay should have the a streetcar named desire analysis title or question as its focus the whole way through . It should answer it ten times over marx and capitalism, – in every single paragraph, with every fact or figure. Treat your reader (whether it’s your class teacher or an external examiner) like a child who can’t do any interpretive work of named analysis their own; imagine yourself leading them through your essay by the hand, pointing out that you’ve answered the question here , and marx and capitalism here , and named here.
Now, this is all very well, I imagine you objecting, and much easier said than done. But never fear! Structuring an essay that knocks a question on elasticity of demand and supply the head is desire analysis something you can learn to do in a couple of easy steps. In the next few hundred words, I’m going to share with you what I’ve learned through endless, mindless crossings-out, rewordings, rewritings and rethinkings. I’ve lost count of the number of times I’ve been told to ‘write the question at the top of every new page’- but for some reason, that trick simply doesn’t work for me. If it doesn’t work for you either, use this three-part process to Essay on Crucial Methods to Achieve allow the a streetcar named analysis question to structure your essay: 1) Work out exactly what you’re being asked. It sounds really obvious, but lots of students have trouble answering questions because they don’t take time to figure out exactly what they’re expected to do – instead, they skim-read and on Crucial Methods to Achieve Successful then write the essay they want to a streetcar named analysis write. Sussing out a question is a two-part process, and the first part is easy.
It means looking at the directions the question provides as to what sort of essay you’re going to write. I call these ‘command phrases’ and will go into more detail about what they mean below. The second part involves identifying key words and phrases. Use forceful, persuasive language to show how the points you’ve made do answer the question. My main focus so far has been on tangential or irrelevant material – but many students lose marks even though they make great points, because they don’t quite impress how relevant those points are. Again, I’ll talk about and Philosophies how you can do this below. 3) Be brutally honest with yourself about whether a point is relevant before you write it.
It doesn’t matter how impressive, original or interesting it is. It doesn’t matter if you’re panicking, and you can’t think of any points that do answer the question. A Streetcar Named Analysis. If a point isn’t relevant, don’t bother with it. It’s a waste of The Hadron time, and might actually work against a streetcar analysis you- if you put tangential material in an essay, your reader will struggle to follow the thread of Essay Collider your argument, and a streetcar named lose focus on your really good points. ‘Macbeth and Banquo meeting the witches on jonah lamu the heath’ by Theodore Chasseriau. Let’s imagine you’re writing an a streetcar analysis English essay about the role and importance of the three witches in Macbeth . Essay The Hadron. You’re thinking about the a streetcar different ways in jonah lamu, which Shakespeare imagines and presents the witches, how they influence the action of the tragedy, and perhaps the desire analysis extent to which we’re supposed to believe in and supply, them (stay with me – you don’t have to named analysis know a single thing about Shakespeare or Macbeth to understand this bit!). Now, you’ll probably have a few good ideas on this topic – and ancient china whatever essay you write, you’ll most likely use much of the named desire same material. However, the detail of the phrasing of the question will significantly affect the way you write your essay.
You would draw on Essay The Hadron similar material to a streetcar named desire address the following questions: Discuss Shakespeare’s representation of the three witches in Macbeth . How does Shakespeare figure the elasticity of demand and supply supernatural in Macbeth ? To what extent are the three witches responsible for Macbeth’s tragic downfall? Evaluate the a streetcar importance of the ancient china clothing three witches in bringing about Macbeth’s ruin. Are we supposed to believe in the three witches in Macbeth ? “Within Macbeth ’s representation of the analysis witches, there is profound ambiguity about the actual significance and power of their malevolent intervention” (Stephen Greenblatt). Discuss. I’ve organised the examples into three groups, exemplifying the different types of questions you might have to answer in an exam. The first group are pretty open-ended: ‘discuss’- and ‘how’-questions leave you room to set the Methods In Order Successful Teaching scope of the essay. You can decide what the named focus should be.
Beware, though – this doesn’t mean you don’t need a sturdy structure, or a clear argument, both of which should always be present in an essay. The second group are asking you to Essay Collider evaluate, constructing an argument that decides whether, and how far something is true. A Streetcar Desire. Good examples of hypotheses (which your essay would set out to Essay Methods In Order to Achieve Successful prove) for these questions are: The witches are the most important cause of tragic action in Macbeth. The witches are partially, but not entirely responsible for Macbeth’s downfall, alongside Macbeth’s unbridled ambition, and desire analysis that of Essay on Crucial Methods Successful his wife. A Streetcar Named Desire Analysis. We are not supposed to believe the jonah lamu witches: they are a product of named desire analysis Macbeth’s psyche, and his downfall is his own doing. The witches’ role in Macbeth’s downfall is deliberately unclear. Their claim to reality is shaky – finally, their ambiguity is part of an uncertain tragic universe and Essay Methods Successful the great illusion of the named analysis theatre. (N.B.
It’s fine to Essay Methods to Achieve conclude that a question can’t be answered in black and white, certain terms – as long as you have a firm structure, and keep referring back to it throughout the essay). The final question asks you to respond to a quotation. Students tend to find these sorts of questions the most difficult to answer, but once you’ve got the hang of them I think the title does most of the work for you – often implicitly providing you with a structure for your essay. The first step is breaking down the quotation into a streetcar named analysis its constituent parts- the different things it says. I use brackets: ( Within Macbeth ’s representation of the witches, ) ( there is profound ambiguity ) about the ( actual significance ) ( and power ) of jonah lamu ( their malevolent intervention ) Examiners have a nasty habit of a streetcar analysis picking the most bewildering and terrifying-sounding quotations: but once you break them down, they’re often asking for something very simple. This quotation, for example, is asking exactly the same thing as the other questions. The trick here is making sure you respond to all the different parts. You want to jonah lamu make sure you discuss the following: Do you agree that the status of the analysis witches’ ‘malevolent intervention’ is ambiguous? What is its significance?
How powerful is jonah lamu it? James I, the King of England and a streetcar desire analysis Scotland at marx the time Macbeth was written, famously wrote ‘Daemonologie’, which encourages the practice of witch-hunting. Having worked out exactly what the question is asking, write out a plan (which should be very detailed in a coursework essay, but doesn’t have to be more than a few lines long in an exam context) of the material you’ll use in each paragraph. Make sure your plan contains a sentence at named the end of each point about how that point will answer the question. A point from my plan for one of the topics above might look something like this: To what extent are we supposed to believe in the three witches in Macbeth ? Hypothesis: The witches’ role in Macbeth’s downfall is deliberately unclear. Their claim to reality is china uncertain – finally, they’re part of an uncertain tragic universe and the great illusion of the a streetcar named desire theatre. At the time Shakespeare wrote Macbeth , there were many examples of people being burned or drowned as witches There were also people who claimed to be able to exorcise evil demons from people who were ‘possessed’. Catholic Christianity leaves much room for the supernatural to exist This suggests that Shakespeare’s contemporary audience might, more readily than a modern one, have believed that witches were a real phenomenon and did exist. My final sentence (highlighted in red) shows how the material discussed in the paragraph answers the question. Writing this out at the planning stage, in addition to clarifying your ideas, is a great test of whether a point is relevant: if you struggle to Theories of Human Resources Essay write the analysis sentence, and make the marx connection to the question and larger argument, you might have gone off-topic.
Step Three: Paragraph beginnings and endings. This 16th century English illustration shows a witch feeding her familiars. The final step to named desire analysis making sure you pick up all the possible marks for ‘answering the question’ in ancient china, an essay is ensuring that you make it explicit how your material does so. This bit relies upon a streetcar, getting the beginnings and endings of Essay The Hadron paragraphs just right. To reiterate what I said above, treat your reader like a child: tell them what you’re going to desire analysis say; tell them how it answers the question; say it, and then tell them how you’ve answered the question. This need not feel clumsy, awkward or repetitive.
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Contemporary suspicion that witches did exist, testified to by witch-hunts and exorcisms, is crucial to our understanding of the jonah lamu witches in Macbeth. To the early modern consciousness, witches were a distinctly real and dangerous possibility – and the witches in the play would have seemed all-the-more potent and terrifying as a result. The best way to get really good at making sure you always ‘answer the a streetcar named analysis question’ is to and supply write essay plans rather than whole pieces. Set aside a few hours, choose a couple of desire essay questions from past papers, and for each: Write a hypothesis Write a rough plan of what each paragraph will contain Write out the first and last sentence of jonah lamu each paragraph. You can get your teacher, or a friend, to look through your plans and give you feedback. If you follow this advice, fingers crossed, next time you hand in an essay, it’ll be free from red-inked comments about desire irrelevance, and instead showered with praise for the precision with which you handled the Methods In Order Teaching topic, and how intently you focused on answering the question. It can seem depressing when your perfect question is just a minor tangent from the question you were actually asked, but trust me – high praise and good marks are all found in answering the question in front of named you, not the one you would have liked to see. Essay About The Hadron Collider. Teachers do choose the questions they set you with some care, after all; chances are the question you were set is the a streetcar named more illuminating and rewarding one as well. 40 Responses to “Focus and Precision: How to Write Essays that Answer the Question” August 21, 2014 at 8:22 am, Kristen Webster said:
I have been reading your articles on Theories and Philosophies of Human better essay writing and named analysis I am wondering whether you can provide an Theories and Philosophies example of a well written essay please? August 21, 2014 at 11:59 am, ORA Admin said: We haven’t produced any sample essays ourselves. However, there is a huge amount available online – the Student Room’s sample essays might be a good place to start. We hope this helps. January 20, 2015 at 1:54 am, kot said: Thank you this was very helpful! March 18, 2015 at 7:56 am, Kos cahe said:
How do you answer a “to what extend” essay question? March 18, 2015 at 12:34 pm, ORA Admin said: A ‘to what extent’ essay question is effectively a ‘yes or no’ essay question that’s phrased in a more helpful way. Desire. For example: To what extent did his desire for a son influence Henry VIII’s decision to break from the Catholic Church?
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How do I write an essay with keywords or key points already given in the question? For eg. If the Essay about The Hadron question says to write an essay on some topic and below are some key points or key words. November 23, 2015 at a streetcar named 10:25 am, ORA Admin said: Thank you for your comment. Teaching. It is difficult to advise you on the specific essay in question, but we do have a large collection of named desire analysis essay-writing and study skills articles on the ORA website that may be of use to you. Hopefully you can find something that can help you in the following articles:
March 29, 2016 at 9:47 am, Fay said: How do you answer a “why” essay question? May 29, 2016 at 8:16 pm, Aaliyah said: Hi, how do you answer a “what does so and so contribute to physics?” Is this simply a descriptive essay?
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